Being very much the all-American figure that he was, the passing of Ted Turner was bound to enliven the cliché machine with the usual, clotty descriptions: the philanthropist, the conservationist, the yachtsman, sporting proprietor and twenty-four hour news pioneer. “He thought big and lived large,” observed Guardian US columnist Margaret Sullivan with irritating triteness. “He was the original,” added former CNN journalist Christiane Amanpour, barely an improvement. “He made us all strive for his vision of a better world.” No doubt the hagiographers will be kept busy with words of statuary on various aspects of his life in due course.
One contribution of his should not be spared a good beating. As the man behind the first 24-hour news network, he has much explaining to do. The time when news could be rationed to times of the day did, at least, concentrate the mind on those behind producing it. Care would be taken assembling the items that would be delivered by an almost affected hauteur on air. This all changed when the news about events became news about news. Turning news into a twenty-four-hour affair had the effect of treating virtually everything before the camera into something worth mentioning and reporting about. Nothing in this world of “Chicken Noodle News” could be too trivial anymore; every item, however tedious, deserved its place in Andy Warhol’s span of 15-minute fame, from inane car chases to watching paint dry.
After Turner’s launching of the Cable News Network (CNN) in 1980, events of varied relevance and proportion could receive the around the clock exposure live coverage offered. Relentless, even ghoulish footage beamed across the network of the Space Shuttle Challenger as it exploded 73 seconds after taking off in 1986. In 1987, an 18-month-old Jessica McClure gave voyeuristic delight to viewers over 58 hours of coverage after falling into a well in Midland, Texas. Eyes were glued to screens wondering if “Baby Jessica” might be rescued. The efforts of rescuers were also the subject of interest.
The argument about cable television news ever being factual is a moot point. CNN’s coverage of the 1991 Gulf War only served to illustrate how subservient a news outlet could be to official narratives. The fact that news had become a continuous and unceasing affair merely concentrated the messages of the administration of President George H. W. Bush, turning CNN into an uncritical annex of the war. Douglas Kellner’s The Persian Gulf TV War is a bracing account of this fact, a polemic against media complicity with establishment drip feed.
The US military establishment had certainly learnt chastening lessons from the Vietnam War, keeping the wandering media hacks on a short lead. The unsuspecting Wolf Blitzer, who continues to labour at the network with perennial sunniness, uncritically recalls in an interview with Poynter the cultivating roles played by the panjandrums of war. “The top Pentagon leadership – Defense Secretary Dick Cheney, Chairman of the Joint Chiefs of Staff Gen. Colin Powell and other senior leaders were quickly reaching out to me – a newcomer and relatively junior reporter at the Pentagon – to brief me on the state of the war.”
This was no time for critical analysis from news reporters. A conduit, a medium, was what was needed, and a twenty-four-hour organ was there to oblige. The likes of Cheney and Powell, accordingly, “knew that everyone around the world was watching CNN and they wanted their analysis reported.” The icing of propaganda was complete with another realisation, not that Blitzer ever clicked. “It also became very evident to me the top Pentagon brass knew that Saddam Hussein’s military leaders in Baghdad were watching CNN.”
That unceasing nature of the broadcasts also turned the journalists in the war news cycle into minor celebrities offering minor contributions. CNN’s Bernard Shaw was hardly doing much in the way of investigative journalism bunkered in the Al Rasheed Hotel in Baghdad as the bombs of Operation Desert Storm started falling. Limited as he was, he offered that line media watchers remember: “The skies over Baghdad have been illuminated.” The cable news coverage also served to exsanguinate the conflict, turning it into a simulation, a crude video game notoriously theorised by the French sociologist Jean Baudrillard as La guerre du Golfe n’a pas eu lieu (The Gulf War War Did Not Take Place).
With CNN as pioneer, snapping upstarts were bound to follow. By January 2002, Fox News had surpassed the network in the cable news ratings despite being available in 10 million fewer homes. The news in terms of substance had ceased to exist, its undertaker being Fox CEO and chairman Roger Ailes. In its place rose the ranting hysteric and jabbering pontificator, full of what might politely be called “views.”
With constant news coverage firmly in place, the time was ripe for a figure capable of seducing and even shaping it. Donald J. Trump did so with a sinister gusto, the first politician to become the news cycle. With tacit collusion, CNN and other cognate news networks fed and oxygenated the property tycoon’s fickleness, the capriciousness, the rants. Every comment, however asinine or vapid or vulgar, warrants mention, analysis, a comb through by perfumed pundits eager to pursue a “fact check.” A Stockholm Syndrome of sorts developed between the network and the reality television star turned President.
With news as surfeit and saturation, the Turner legacy is one we could have done without. With its tendency to feed us stories thin, uneven and occasionally interesting in continuous fashion, the twenty-four-hour news beast is limping towards the Museum of Media Relics. The studied, rationed podcast and the conspiratorial slime of social media continue to usher it along its doomed way.
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Binoy’s comments on the fatuousness of the 24hr news cycles hits the mark with bullseye precision.
“Nothing in this world of “Chicken Noodle News” could be too trivial anymore; every item, however tedious, deserved its place in Andy Warhol’s span of 15-minute fame, from inane car chases to watching paint dry.”
Opening up the web page of the ABC News is an exercise in confirmation of the above. Stories abound on asinine topics of utterly trivial matter. The Murdoch stable, ditto. The SMH and The Age, owned by Nine Entertainment Co., are marginally better, The Guardian significantly more so; all suffer, nonetheless, from the devastating consequences of being now embedded within the internet era of instant response and the death of serious journalism.
The world is, to a large degree, becoming infantilised and trivialised by the electronic version of the Chinese punishment, death by a thousand cuts. Attention spans are reduced to those of gnats. Addiction to staring at screens has replaced the eons-old normalcy of having a broad-based all senses involvement and relationship with the natural world at large. Those of a certain perspective would concur, this will not end well.
@ Canguro: Your ”death by a thousand cuts” deftly explains the Murdoch strategy to destroy OUR ABC. Successive governments of major parties have bent over backwards to continuously reduce the government financing of OUR ABC to satisfy the wishes of the late Sir Keith Murdoch, and now his off-spring, Rupert, who continues the political vendetta for his additional own reasons.
Moreover, quiet ”suggestions” for prominent appointments who will do the bidding of the Murdoch Media Manipulation Monopoly (M4), and the too many post-M4 highly biased pro-conservative scribblers and chatterers further reduces the quality of OUR ABC news service.