Photo by Peter Taylor
This meme I saw shared contains multiple false, misleading, and offensive claims that dismiss the depth and continuity of Indigenous Australian culture. Below the meme is a breakdown of its inaccuracies and the harm they perpetuate.
Geoffrey Bardon popularised dot painting on canvas in the 1970s through the Papunya Tula art movement, but dot art has been part of Aboriginal culture for millennia. Traditional dot patterns were used in body painting, ceremonial ground designs, and sand storytelling to encode sacred knowledge and protect cultural secrets from outsiders.
Aboriginal rock art in Victoria and Arnhem Land includes motifs like dots, lines, and hand stencils dating back thousands of years. For example, the Bunjil painting in Victoria and ochre stencils in Gariwerd (the Grampians) predate European contact.
Offensive implication: Denies Indigenous artistic sovereignty and reduces a living tradition to a colonial invention.
While the “modern formalised ceremony” was first performed by Dingo and Walley in 1976 to welcome Māori performers, it draws on pre-colonial protocols for granting safe passage and reciprocity between Aboriginal nations. For example:
Trolling tactic: Uses a technicality about the modern format to erase millennia of cultural practice.
There are over 250 Indigenous languages in Australia, each with distinct terms for custodianship and hospitality. For example:
Harmful intent: Implies Indigenous languages lack sophistication, reinforcing colonial stereotypes.
Smoking ceremonies using native plants like eucalyptus have been practiced for tens of thousands of years for healing, cleansing, and spiritual purposes. Early colonial accounts, such as those by 19th-century ethnographers, document their use.
The absence of film evidence pre-1970s reflects systemic erasure of Indigenous practices in historical records, not their nonexistence.
Misinformation source: Relies on Eurocentric definitions of “evidence” to dismiss oral traditions.
The 1956 Melbourne Olympics occurred during a period of active assimilation policies, where Indigenous cultural practices were suppressed. The absence of Welcome to Country at such events reflects historical racism, not a lack of tradition.
Conversely, Indigenous protocols were observed in community contexts long before mainstream institutions adopted them.
Offensive framing: Blames Indigenous people for their marginalisation in colonial-era records.
The above meme is a textbook example of historical negationism, designed to undermine Indigenous sovereignty and cultural pride. By distorting facts and ignoring context, it perpetuates harmful stereotypes and divisive rhetoric. Always cross-check such claims with Indigenous-led sources and scholarly research.
Aboriginal Dot Art, by Artlandish
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Considering the care that is taken - generally - in recording the ancient history of other nations, it is so petty for those who hoard contempt for Australian Cultural history to distort the truth.
The exact same thing has been attempted since the 1980s by a bunch of New Zealand amateur historians (that’s being generous) who were known for inventing, faking, vandalising and lying their way into the limelight. This resorted to fabricating so-called government documents and ruining archaeological sites including desecrating human remains, in order to manipulate and erase indigenous history there. Attempting to rug culture, history and rights, the main through-line was undercutting all of this by claiming that various European or British cultures, in particular red-headed Celts had populated the country before the Māori. A preposterous claim with generous sides of imperialism and eugenics served up as DL patriotism. Thrown in a couple of pinches of mysticism for a mysteriously delicious yet innocuous flavour and – it’s so much more palatable.
Essentially he same old tired Great Replacement Theory trope that coward Elon Musk promotes and then says he doesn’t because he can’t even be honest about what he’s doing.
These deluded charlatans included Noel Hilliam, Martin Doutre. Plumtree Productions, and Kerry Bolton to name some. There are multiple ties to fascist orgs, white supremacist manifestos, and alt/right wing extremist politics and vile crimes.
It’s racist conspiracy theory BS with an ulterior motive, no matter what country, usually dressed up as an absolutely preposterous ‘government plot’ as if there was a capability to somehow foster a massive web of deceit which would literally rely on hundreds of experts in different fields spanning multiple decades all agreeing to this scheme and never breaking ranks. Total fantasy time stuff.
Vice: Grave Robbers with Far-Right Links Are Stealing Ancestral Māori Skulls
https://www.vice.com/en/article/a-group-of-far-right-grave-robbers-could-be-digging-up-sacred-maori-sites/
Society/Spinoff: The white tangata whenua, and other bullshit from the ‘One New Zealand’ crew
https://thespinoff.co.nz/society/22-05-2017/the-white-tangata-whenua-and-other-bullshit-from-the-one-new-zealand-crew
ATEA/Spinoff: Ancient giants and old delusions: a history of mysticism and racism in Aotearoa
https://thespinoff.co.nz/atea/25-02-2020/ancient-giants-and-old-delusions-a-history-of-mysticism-and-racism-in-aotearoa
For those still on the fence and who have an open mind and power of discernment:
'New Zealand Skeletons in the Cupboard Episode 1 The Red Heads'
https://www.youtube.com/watch?v=PBFpGayPATs